Magic Bullet Looks

1.2

Examples

by Alex Roman

A FULL-CG animated piece that tries to illustrate architecture art across a photographic point of view where main subjects are already-built spaces. Sometimes in an abstract way. Sometimes surreal. Done with 3dsmax, Vray, AfterEffects and Premiere. Watch the compositing breakdown here.

by Philip Bloom

Learn more about this film here: philipbloom.co.uk/2009/03/31/short-film-return-to-dungeness/
and check out this episode of Red Giant TV to see how Philip graded the film.

by Landis Fields

Our "Chapter 2" entry for the Canon/Vimeo Short Film Contest "The Story Beyond The Still"  (Watch Chapter 1 by Vincent Laforet here: vimeo.com/groups/beyondthestill/videos/8595246 ). Shot with the Canon 7D and a 5D mk2 using various Canon lenses. Color Graded using Magic Bullet.

by Landis Fields

A glimpse of a friend and athlete by the name of Pete Billington. Film by Landis Fields, Zac Wollons, Punn Wiantrakoon, and Brian Berringer. Directed and Edited by Landis Fields.

This transition uses a combination of Trapcode Form for the numbers, Trapcode Shine for the light rays, and Magic Bullet Looks for the color change. (from RGTV Ep. 1 & 2)

This Film Noir-inspired shot uses a lot of our products! Red Giant Text Anarchy creates the traffic patterns in the background. PlaneSpace tiles the traffic pattern over and over again. Key Correct Pro Light Wrap aids in compositing the actor over the glowing background. Magic Bullet Looks helps the composite by bringing all of the colors together. (from RGTV Ep. 10)

This Motion Graphics background uses Trapcode Particular for the particles. It uses Magic Bullet Looks to create the green colorization, the glow, the blur, and the vignette.

This video uses Trapcode Sound Keys to make the video play faster on the music beat. Magic Bullet Looks is used to control the colors of the video based on the Sound Keys-generated opacity keyframes. View: Red Giant TV Episode 6