Trapcode Form

1.1

Examples

by SUSPECT

Dir: Billie Woodruff; ProdCo: FORM
Filmed on greenscreen; all compositing done in Autodesk Flame 2010. All particles and bkgds created in Trapcode Form and Particular... All visual FX by SUSPECT vfx + design. Big ups to Jesse Newman.

by graymachine (Harry Frank)

One of many IDs Harry recently completed at Blur Studio for Disney. The bubbles are Trapcode Particular and the caustics are Trapcode Form.

by Tom Spawton

Made entirely with After Effects. CC lens for the ball. Trapcode Form for the Spacey backgrounds. Trapcode Particular + Footage from Detonation Films for the Explosions. Basic After Effects motion tracking for the ...erm tracking. No other software (with the possible exception of Photoshop for a few bits of masking) was used.

by Esteban Diácono

"Last september i had the wonderful opportunity to collaborate with Barney Steel from The Found Collective and co-director Rob Chandler in the new Depeche Mode video, Fragile Tension.I just contributed with a few shots and effects, but it was great to be involved in such wonderful project with these incredibly talented people."

 by dannorton

Video for M83's music video contest. Particle animation all done in Trapcode Form.

by Kristianus Ligara

"Got bored and decided to play around... Better examples and if you want this preset, you can download the AEP and check out better videos here motiongraph.net/2009/trapcode-form-audio-reactive-test/ - just thought I'd like to share.

by lewiskylewhite

"Created using After effects, the result of playing around abit with trapcode form."

by Youssef Sarhan

"A project I did last weekend. I wanted to bring a new dimension to what was fairly static footage. Allowing the 3d camera to explore the new particle form. I sat in front of the camera and talked for a bit, keyed the footage, then got to work on post." See more @ keyframekid.com/

Begin with a simple letter A, add realistic fire, then animate it. Trapcode Form is generating the undulating 3D surface adding blazing fire to the letter. Any shape or text object could be substituted for the letter in the animation.

This transition uses a combination of Trapcode Form for the numbers,  Trapcode Shine for the light rays, and Magic Bullet Looks for the color change. (from RGTV Ep. 1 & 2)

An expanding 3D spherical surface is generated by Form and used as part of a transition to reveal the Red Giant Software logo.

This title treatment, inspired by Sex in the City the Movie, uses a lot of our products. Trapcode Form generates the lights on the text, while Trapcode Particular makes the glints from the lights. Red Giant Warp creates the reflection, and Knoll Light Factory Pro creates the camera flashes.

Some seemingly-solid letters dissolve into sand-like particles and disperse into the air. Form generates the rippling sand using the built-in fractal field controls.

Mesmerizing animated flames change color along a warm gradient. The preset can have different colors and animation speeds, making it ideal for use as an animated background for DVD menus and more.